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Event Calendar & Archive

2025

  • Sun
    05
    Jan
    2025

    Old First Concerts

    2 pm

    Old First Church, Sacramento and Van Ness, San Francisco

    Sarah performs works by James Cleghorn in preparation for a recording for the Other Minds label.  Cleghorn grew up in San Francisco and wrote a wide variety of piano music in the 1930s to 1950s, was active in the new music circle of Henry Cowell and Lou Harrison (and was responsible for introducing them), and became head of the music department at the San Francisco Public Library.  His son Peter Cleghorn gave Sarah the original scores for her upcoming recording. 

  • Mon
    06
    Jan
    2025
    Tue
    07
    Jan
    2025

    recording music by James Cleghorn

    San Francisco Conservatory of Music

    Sarah records works by James Cleghorn for the Other Minds label.  Cleghorn grew up in San Francisco and wrote a wide variety of piano music in the 1930s to 1950s, was active in the new music circle of Henry Cowell and Lou Harrison (and was responsible for introducing them), and became head of the music department at the San Francisco Public Library.  His son Peter Cleghorn gave Sarah the original scores for this recording. 

  • Thu
    16
    Jan
    2025

    pre-rehearsal talk

    9 am

    Davies Hall, San Francisco

    Before an open rehearsal with the San Francisco Symphony, Sarah speaks about the program: John Adams’ new piano concerto “After the Fall” with pianist Vikingur Olafsson,  Charles Ives’ The Unanswered Question, and Carl Orff’s Carmina Burana, conducted by David Robertson.

  • Wed
    29
    Jan
    2025

    Pivot Festival

    7:30 pm

    Herbst Theatre, San Francisco

    As part of the Pivot Festival hosted by San Francisco Performances, Sarah joins an ensemble to perform Carla Kihlstedt’s 26 Little Deaths, inspired by Edward Gorey’s The Gashlycrumb Tinies, conducted by Gabriel Kahane.

    https://sfperformances.org/performances/2425/pivot-1.html

  • Thu
    06
    Feb
    2025

    pre-rehearsal talk

    9 am

    Davies Hall, San Francisco

    Before an open rehearsal with the San Francisco Symphony, Sarah speaks about the program: Shostakovich’s Piano Concerto No. 2 with soloist Kirill Gerstein, and Mahler’s Seventh Symphony, conducted by Paavo Järvi.

  • Sat
    08
    Mar
    2025

    Met Live Arts

    2pm

    The Met 5th Ave - European Paintings 1300–1800

    Sarah performs a marathon version of her program The Future Is Female at The Met. 

    https://engage.metmuseum.org/events/metlivearts/2024-25-season/sarah-cahill-the-future-is-female/

  • Fri
    21
    Mar
    2025

    Detroit Institute of Arts

    Detroit Institute of Arts, by the Diego Rivera mural

    Sarah celebrates composer Lou Harrison with a range of his piano music, some unpublished and rarely played, and teams up with percussionist Douglas Perkins and violinist Yvonne Lam for the great Varied Trio, and with Lam for a few movements from the Grand Duo.

  • Sun
    06
    Apr
    2025

    Backstage Pass with Yefim Bronfman

    5 pm

    Herbst Theatre, San Francisco

    Sarah Cahill’s “Backstage Pass” w. Yefim Bronfman in San Francisco
    in partnership with Amateur Music Network
    Have you ever wondered how artists prepare and create their performances? In this series we break down the barriers of genre and style with performing artists, revealing the secret processes behind their music. This conversation will take place at the conclusion of Mr. Bronfman’s recital at Herbst Theater and is available free to all ticket-holders. To attend the conversation, you must have a ticket to the concert.

    https://chambermusicsf.org/
  • Wed
    09
    Apr
    2025

    Backstage Pass with Marin Alsop and Gabriela Montero

    7 pm

    Wattis Room, Davies Hall, San Francisco

    Wednesday, April 9 at 7:00pm, Amateur Music Network presents Sarah Cahill’s Backstage Pass with special guest, conductor Marin Alsop. In a live conversation in Davies Symphony Hall’s Wattis Room and streamed online, Cahill and Alsop offer a behind-the-scenes glimpse into the artistic process. Tickets are available for purchase through Amateur Music Network. LEARN MORE

“as tenacious and committed an advocate as
any composer could dream of”

– San Francisco Chronicle