Sarah Cahill: A Piano Party for Terry Riley at 80 FRIDAY, JUNE 19, 2015 New works composed in celebration of Terry Riley’s eightieth birthday by Samuel Carl Adams, Pauline Oliveros, Gyan Riley, Evan Ziporyn, Christine Southworth, Danny Clay, Dylan Mattingly, Luciano Chessa, Elena Ruehr, and Keeril Makan. June 24, 2015 is the eightieth birthday year […]
Sarah Cahill: A Piano Party for Terry Riley at 80 FRIDAY, JUNE 19, 2015 New works composed in celebration of Terry Riley’s eightieth birthday by Samuel Carl Adams, Pauline Oliveros, Gyan Riley, Evan Ziporyn, Christine Southworth, Danny Clay, Dylan Mattingly, Luciano Chessa, Elena Ruehr, and Keeril Makan. June 24, 2015 is the eightieth birthday year […]
Sarah Cahill: A Piano Party for Terry Riley at 80 FRIDAY, JUNE 19, 2015 New works composed in celebration of Terry Riley’s eightieth birthday by Samuel Carl Adams, Pauline Oliveros, Gyan Riley, Evan Ziporyn, Christine Southworth, Danny Clay, Dylan Mattingly, Luciano Chessa, Elena Ruehr, and Keeril Makan. June 24, 2015 is the eightieth birthday year […]
Sarah Cahill: A Piano Party for Terry Riley at 80 FRIDAY, JUNE 19, 2015 New works composed in celebration of Terry Riley’s eightieth birthday by Samuel Carl Adams, Pauline Oliveros, Gyan Riley, Evan Ziporyn, Christine Southworth, Danny Clay, Dylan Mattingly, Luciano Chessa, Elena Ruehr, and Keeril Makan. June 24, 2015 is the eightieth birthday year […]
Sarah performing at Soundbox. Photo: Charles Redding.
The San Francisco Orchestra has come up with a Vegas-like way to attract a younger audience: a nightclub built underneath the orchestra’s main concert hall with a state-of-the-art sound system, high-tech lighting and artistic video images. (April 23) AP Watch the Video at USA Today
SoundBox, the San Francisco Symphony’s attempt to draw in a younger crowd with late-evening, monthly concerts in a nightclub style setting, has been successful on a scale that probably nobody ever imagined. The Meyer Sound System has transformed an acoustically dead rehearsal stage at the back of Davies Hall into a reverberant concert hall, the […]
Last Fall, Pinna Records released Mamoru Fujieda’s Patterns of Plants, performed by pianist (writer, and producer) Sarah Cahill. We talked to Cahill as she prepared for the New Music Gathering… Read the full article
As part of a growing national movement to revitalize the symphony experience for patrons, the San Francisco Symphony recently launched SoundBox, a show series meant to create new musical experiences and entice new audiences. KQED’s Cy Musiker reports. SoundBox on KQED
Classics Today has given “MAMORU FUJIEDA PATTERNS OF PLANTS” a perfect 10 out of 10 for artistic quality and sound quality. From the Review: “Fujieda’s Plant Patterns are tonal (or modal), but their outward, post-minimalist simplicity conceals real sophistication of technique. The pieces are built out of a few basic ideas: repetition of the initial […]
“a brilliant and charismatic advocate for modern and contemporary composers”
Cahill has researched and recorded music by the important early 20th-century American modernists Henry Cowell and Ruth Crawford, and has commissioned a number of new pieces in tribute to their enduring influence. She enjoys working closely with composers, musicologists, and scholars to prepare scores for performance.
Sarah Cahill’s discography includes over twenty albums on the New Albion, CRI, New World, Tzadik, Albany, Innova, Cold Blue, Other Minds, and Pinna labels. Her 2013 release A Sweeter Music (Other Minds) featured musical reflections on war by eighteen composer/activists, commissioned especially for the album. In 2015, Pinna Records released her two-CD set of Mamoru Fujieda’s Patterns of Plants, a fusion of nature and technology created by identifying the musical patterns in the electrical impulses of plants. Cahill recently finished recording a five-CD set of Terry Riley’s solo and four-hand music with pianist Regina Schaffer for release in fall 2017 on the Irritable Hedgehog label.
Her radio show, Revolutions Per Minute, can be heard every Sunday evening from 8 to 10 pm on KALW, 91.7 FM in San Francisco. She is on the faculty of the San Francisco Conservatory and curates a monthly series of new music concerts at the new Berkeley Art Museum.
Exhibition Garden, San Francisco Botanical Garden
Golden Gate Park, Ninth Ave. at Lincoln Way
San Francisco, CA 94122
Sarah Cahill performs a two-hour set of music by Lou Harrison, in celebration of the composer's centennial year, in the Exhibition Garden of the San Francisco Botanical Garden as part of Flower Piano.
Kresge Auditorium
Interlochen Center for the Arts
4000 M-137
Interlochen, MI 49643
Sarah joins pianist Alon Goldstein as soloists for Takemitsu's Quotation of Dream: Say Sea, Take Me! with Carlos Izcaray conducting Interlochen's World Youth Symphony Orchestra Also on the program are John Adams' The Chairman Dances: Foxtrot for Orchestra and Debussy’s La Mer.
Camptonville Performing Arts Center, 15333 Cleveland Avenue, Camptonville, CA 95922.
Sarah performs the culminating concert of a "Grand Piano Weekend" organized by Terry Riley as part of his Sri Moonshine Music Series. Her program includes Terry Riley's Be Kind to One Another and Fandango on the Heaven Ladder as well as works by Ravel and Debussy. http://terryriley.net/moonshine_music_series.htm
Mountain View Community School, 230 San Antonio Circle, Mountain View, CA
Mills College, Oakland, CA
Sarah and Regina Myers perform "Blue" Gene Tyranny's The Decertified Highway of Dreams for a concert celebrating the 50th anniversary of the Center for Contemporary Music at Mills.
If you go to your local record store, you’ll find Meredith Monk and Björk in completely separate categories, but as you’re about to hear, they’ve got a lot in common. Born a generation apart, both women have gained a reputation for creating adventurous music for the human voice, work that has taken them beyond the concert stage and into the realms of theater, film, visual art, dance, and performance art. Over the course of this hour-long program, these two artists share personal stories and trade ideas about music alongside illustrative samples drawn from their extensive recorded catalogues.
Curious how Elliott Carter, one of our most venerable composers of music for the concert hall, and Phil Lesh, best known as the bass player for the Grateful Dead, ever crossed paths? Though you might not ordinarily connect these two composers, there are some surprising musical links between them, supported by a friendship of many years.
Hear them speak with Sarah Cahill about their shared influences and the personal connections they’ve made through music.
